Plot.
It is a tragi-comedy describing the consequences of the marriage of Lilia Herriton, an impulsive young widow, to the son of an Italian dentist, Gino Carella, whom she meets while touring in Tuscany, ineffectively chaperoned by 'charming, sober' Caroline Abott.
Lilia's mother-in-law in suburban Sawston, outraged by news of the engagement, dispatches her young son Philip Herriton, barrister and aesthete, to break off the match, but he arrives too late, for the couple are already married. Lilia dies shortly afterwards in childbirth, and Philip is once more dispatched, this time accompanied by his sister Harriet, to rescue the baby from imagined disaster. They meet Abbot in Monteriano, and both she and Philip find their intentions waver as they fall under the spell of Italy (there is a fine description of an enthusiastic Italian audience watching Lucia di Lammermoor) and become aware of Gino's strong feelings for and determination to keep his son; once more they admit defeat, recognizing, and in Miss Abbott's case much moved by, Gino's passion.
Without their knowledge Harriet kidnaps the baby, who is accidentally killed when their carriage overturns. Gino, hearing the news, attacks Philip, but the two are reconciled, after a fashion, through Miss Abbott's concern for both. As Philip and Miss Abbott travel back to England, he realizes that he has learned to love her, but she reveals that she loves Gino, and appears to be resigning herself to a spinster's life of good works in Sawston.
(Text from Drabble, Margaret. The Oxford Companion to English Literature.
جتـى
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جتـى
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Summary
The story begins in London as Lilia, the young widow of Charles Herriton departs for an extended tour of Italy, taking with her a companion (Caroline Abbott), who is supposed to keep her our of trouble. Lilia leaves her 8-year-old daughter Irma home with the Herritons. The Herritons are a snobbish upper middle class family ruled by an iron-willed matriarch, who has never approved of her daughter-in-law's unassuming and spontaneous nature.
The trouble begins when word arrives from the small town of Monteriano that Lilia has gotten engaged to an Italian man. Mrs. Herriton sends her son Philip to buy off the "wretched Italian" and bring Lilia home. But he arrives too late. The 32-year-old Lilia has already married Gino Carella, who is the unemployed son of a dentist and a decade younger than she is. Gino is charming and seems guileless, although he has no intention of adopting an English attitude toward marriage. Indeed, he has married Lilia for her money and expects her to become a proper Italian wife.
Later, Lilia dies in childbirth, but the baby survives. At first the Herritons intend to sever contact and not acknowledge the child. However, nudged by Miss Abbott, the unsuccessful chaperone, they decide to "save" the child from becoming an Italian. Once again, Philip goes to Italy to buy off Gino and bring the boy to England. Once again, he fails.
But this time, his aggressive sister Harriet intervenes; when all else fails, she steals the baby. Unfortunately, a mishap occurs, and the baby dies. Meanwhile, Philip has fallen in love with Miss Abbott who, in turn, has fallen for the recently remarried Gino. In the end it looks like Phillip and Miss Abbott will become "just good friends."
Commentary
Snobbishness and cultural insensitivity form the tablet upon which this story is writ. First, you have the English social class difference that leads the Herriton family to patronize (and be embarrassed by) the young harebrained widow in their midst. Then there is the general belief in English superiority over the popish Italians. Finally, you have the total unacceptability of Gino himself, a poor, provincial, and poorly educated Italian.
The lack of cultural awareness extends to Lilia herself, who expects an Italian husband to adopt her English middle class values, and the Italian neighbors to transform themselves into an English community. (It is notable, though, to observe the social oppression of women in provincial Italian society of the time.)
The two characters that to some extent come to terms with cultural difference are Philip Herriton and Caroline Abbott, in both cases because they are open enough to respond to Gino as a person, rather than accepting a stereotype. Philip likes the Italian and understands his love for the baby. Caroline falls in love with the man. Thus, Gino in a sense returns to England with the two of them--as a barrier preventing their own happiness.
نقلتها لكم بسرعه وما نقحتها اقروها وشوفوا الي يفيدكم
The story begins in London as Lilia, the young widow of Charles Herriton departs for an extended tour of Italy, taking with her a companion (Caroline Abbott), who is supposed to keep her our of trouble. Lilia leaves her 8-year-old daughter Irma home with the Herritons. The Herritons are a snobbish upper middle class family ruled by an iron-willed matriarch, who has never approved of her daughter-in-law's unassuming and spontaneous nature.
The trouble begins when word arrives from the small town of Monteriano that Lilia has gotten engaged to an Italian man. Mrs. Herriton sends her son Philip to buy off the "wretched Italian" and bring Lilia home. But he arrives too late. The 32-year-old Lilia has already married Gino Carella, who is the unemployed son of a dentist and a decade younger than she is. Gino is charming and seems guileless, although he has no intention of adopting an English attitude toward marriage. Indeed, he has married Lilia for her money and expects her to become a proper Italian wife.
Later, Lilia dies in childbirth, but the baby survives. At first the Herritons intend to sever contact and not acknowledge the child. However, nudged by Miss Abbott, the unsuccessful chaperone, they decide to "save" the child from becoming an Italian. Once again, Philip goes to Italy to buy off Gino and bring the boy to England. Once again, he fails.
But this time, his aggressive sister Harriet intervenes; when all else fails, she steals the baby. Unfortunately, a mishap occurs, and the baby dies. Meanwhile, Philip has fallen in love with Miss Abbott who, in turn, has fallen for the recently remarried Gino. In the end it looks like Phillip and Miss Abbott will become "just good friends."
Commentary
Snobbishness and cultural insensitivity form the tablet upon which this story is writ. First, you have the English social class difference that leads the Herriton family to patronize (and be embarrassed by) the young harebrained widow in their midst. Then there is the general belief in English superiority over the popish Italians. Finally, you have the total unacceptability of Gino himself, a poor, provincial, and poorly educated Italian.
The lack of cultural awareness extends to Lilia herself, who expects an Italian husband to adopt her English middle class values, and the Italian neighbors to transform themselves into an English community. (It is notable, though, to observe the social oppression of women in provincial Italian society of the time.)
The two characters that to some extent come to terms with cultural difference are Philip Herriton and Caroline Abbott, in both cases because they are open enough to respond to Gino as a person, rather than accepting a stereotype. Philip likes the Italian and understands his love for the baby. Caroline falls in love with the man. Thus, Gino in a sense returns to England with the two of them--as a barrier preventing their own happiness.
نقلتها لكم بسرعه وما نقحتها اقروها وشوفوا الي يفيدكم
جنوبيه
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Tone: thought ful
Setting :England :saweston/ italy :monteriano
Time:19th sentury
Style:the story of acomedy but ending of atragedy told by foresters characteristic third_ person narrator
Character : magjor : lilia – Philip- gino – abbott
تكون Minor : بقية الشخصيات
Setting :England :saweston/ italy :monteriano
Time:19th sentury
Style:the story of acomedy but ending of atragedy told by foresters characteristic third_ person narrator
Character : magjor : lilia – Philip- gino – abbott
تكون Minor : بقية الشخصيات
جنوبيه
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أخواتي أرجو ممن تعرف حل هذه الأسئله في الروايه أن لاتبخل علي فأنا بأمس الحاجه لمعرفة الحل
وجزى الله خير الجزاء في الدنيا والاخره لمن تساعدني في حلها
1) في القصه يوجد صراع بين من هذا الصراع
صراع فيليب مع نفسه / فيليب وجينو / فيليب وهاريت
2( من بطل القصه ؟
3 من الخصم أو العدو في القصه ؟
هاريت_هيرتون _جينو
4 فيمن كان التناقض في شخصيته في الروايه
5 )ماهو نوع التصوير الفني في كلمة
((italy play ground of the world
)) هل هو تشبيه_ استعاره_ تلميح _رمز
6:الفلاش باك في حديث ليليا مع فيلب عن سوء معاملتهم لها عندما كانت تعيش معهم على ماذا يدل؟
7:على ماذا تدل شخصية جينو في الرواية؟
8:لماذا كانت السيدة هاريتون تريد الطفل؟
وكانوا حاطين اختيارات تحير
أ:من اجل أن يتربى مع ارما
ب:من اجل أن تكسر قلب جينو
ج:من اجل الميراث
د:لأنها أحبة الطفل
9نوع الحبكة في الرواية؟
أ:روائي
ب:تاريخي
10:ما الغرض الفلاش باك و الفور شادوينغ في الرواية؟
11على ما يدل قطف العصافير لحبوب السيدة هاريتون _
12 على ماذا اعتمد فورستر في روايته؟
13 مانوع الروايه
وجزى الله خير الجزاء في الدنيا والاخره لمن تساعدني في حلها
1) في القصه يوجد صراع بين من هذا الصراع
صراع فيليب مع نفسه / فيليب وجينو / فيليب وهاريت
2( من بطل القصه ؟
3 من الخصم أو العدو في القصه ؟
هاريت_هيرتون _جينو
4 فيمن كان التناقض في شخصيته في الروايه
5 )ماهو نوع التصوير الفني في كلمة
((italy play ground of the world
)) هل هو تشبيه_ استعاره_ تلميح _رمز
6:الفلاش باك في حديث ليليا مع فيلب عن سوء معاملتهم لها عندما كانت تعيش معهم على ماذا يدل؟
7:على ماذا تدل شخصية جينو في الرواية؟
8:لماذا كانت السيدة هاريتون تريد الطفل؟
وكانوا حاطين اختيارات تحير
أ:من اجل أن يتربى مع ارما
ب:من اجل أن تكسر قلب جينو
ج:من اجل الميراث
د:لأنها أحبة الطفل
9نوع الحبكة في الرواية؟
أ:روائي
ب:تاريخي
10:ما الغرض الفلاش باك و الفور شادوينغ في الرواية؟
11على ما يدل قطف العصافير لحبوب السيدة هاريتون _
12 على ماذا اعتمد فورستر في روايته؟
13 مانوع الروايه
الصفحة الأخيرة
هذا رابط حلو فيه تحليل للروايه بصوره مبسطه:
http://www.emforster.info/pages/angels.html