ثانية كلية احتاج مساعده في مادة الشعر

أنتي بأي كليه أختي عشان أقدر أساعدك ؟؟

“Metaphysical poetry, in the full sense of the term,” as Grierson writes, “is a poetry which has been inspired by a philosophical conception of the universe and the rôle assigned to the human spirit in the great drama of existence.”
This is a very broad term, but it joins together a number of 17th century poets, most notable among them John Donne, George Herbert, Richard Crashaw, Andrew Marvell, Henry Vaughn and Abraham Cowley.
By itself, metaphysical means dealing with the relationship between spirit to matter or the ultimate nature of reality. The Metaphysical poets are obviously not the only poets to deal with this subject matter, so there are a number of other qualities involved as well:

Use of ordinary speech mixed with puns, paradoxes and conceits (a paradoxical metaphor causing a shock to the reader by the strangeness of the objects compared; some examples: lovers and a compass, the soul and timber, the body and mind)
The exaltation of wit, which in the 17th century meant a nimbleness of thought; a sense of fancy (imagination of a fantastic or whimsical nature); and originality in figures of speech
Abstruse terminology often drawn from science or law
Often poems are presented in the form of an argument
In love poetry, the metaphysical poets often draw on ideas from Renaissance Neo-Platonism to show the relationship between the soul and body and the union of lovers' souls
They also try to show a psychological realism when describing the tensions of love
الشعر الغيبي أو الميتافيزيقي يعد نموذجاً لتحليل الشعور الإنساني وليس لتجسيده والبحث عن الفلسفة الكامنة وراء الحب بكل أنواعه وليس تعبيراً عن التجربة النفسية التي يخوضها المحبون.

يرى البعض أن العقائد الدينية النصرانية هي الخلفية الفكرية للمذهب الغيبي الميتافيزيقي الأدبي… ولعل عجز الإنسان عن فهم الأمور الغيبية في الحياة، دفعه إلى التعبير عن جميع الظواهر الغيبية مثل الروح والحياة، والقدر والموت.. عن طريق الشعر والرواية والمسرحية.. لعل الإنسان يستطيع التوصل إلى فهم كنه هذه الظواهر.

أماكن النفوذ والانتشار :

بدأ المذهب(*) الغيبي الميتافيزيقي في إنكلترا… وإن كانت أفكاره أثرت تأثيراً كبيراً في أدباء الكلاسيكية الجديدة في أوروبا كلها والعالم الغربي برمته.

ويتضح مما سبق:

الميتافيزيقية هي اتجاه أدبي، يبحث عن ظواهر العالم بطريقة عقلية ممزوجة بالعاطفة، من أجل الجمع بين كل ما هو مؤتلف ومختلف من الأخيلة الفكرية والظواهر الطبيعية، وإبرازه في أعمال مسرحية وشعرية وروائية تجسد الفلسفة الكامنة وراء الحب، بأسلوب سهل وتعبير سلس. ومع أن هذا الاتجاه يؤكد الدلالات الدينية والأخلاقية الكامنة وراء القوى الميتافيزيقية إلا أنه يتبنى، كالخيال الصوفي الجامح، فكرة وحدة الوجود، ومن هنا كانت خطورة التعبيرات الأدبية في هذا الاتجاه على الشباب المسلم الذي يجب أن يعيها بدقة ويعرف أبعادها قبل أن ينجرف مع تيارها عندما يتعامل مع إفرازات هذا المذهب الأدبي.

و أنا شخصيا أميل إلى تسميته بالشعر الغيبي أو شعر ما وراء الطبيعة ولا أميل لتسميته بالميتافيزيقي ..


أرجو أكون أفدتك وياهلا:icon35::27:

هلا اختي .. من أشهر شعراء هذا النوع من الشعر
ّGeorge Herbert
الاخت اللي قبلي ما قصرت اعطت فكره مبسطه وواضحه عنه وبلغه سهله ومترجمتها كمان :)

هو المشكله في هذا النوع من الشعر انه يدخل ضمن الامور الغيبيه ... خلينا ناخذ سؤال:
هل توجد حياة حقا بعد الموت ؟؟؟ الشعراء ذلك الوقت لم تكن عندهم اجابات لمثل هالنوع من الاسئله فعبرو عن تساؤلاتهم بالشعر .. وغالبا تحسي بهذا النوع من الشعر نكهة التدين لكن مساكين ديانتهم ما اعطتهم اجابات واضحه ..وهنا ممكن تتفلسفي شوي على الدكتوره ..وتقولي لها :
Thank God in our Islamic phelosophy we have all the answers for such questions >>

واللي فهمته من كلامك انك تبحثي عن قصيده وتحليلها ..
وهذه القصيده ومن ثم تحليلها ..

Easter Wings
Lord, Who createdst man in wealth and store,
Though foolishly he lost the same,
Decaying more and more,
Till he became
Most poore:

With Thee
O let me rise,
As larks, harmoniously,
And sing this day Thy victories:
Then shall the fall further the flight in me.

My tender age in sorrow did beginne;
And still with sicknesses and shame
Thou didst so punish sinne,
That I became
Most thinne.

With Thee
Let me combine,
And feel this day Thy victorie;
For, if I imp my wing on Thine,
Affliction shall advance the flight in me.

-- George Herbert
والتحليل:
Analysis of the poem by George Herbert
"Wings"




Comprehension


George Herbert writes this poem in a particular period of his life and also in a special moment of the year; Easter. It is a religious poem addressed to God.

The poet starts the poem describing the man’s condition: he says that in a first moment, when he was created, the man was “wealth and store” (line 1) but then this condition degenerated and he became “most poor” ( line 5). The poet, talking about his personal condition says that since he was young he had lived in sickness and sorrow because of his sin, and for this reason he ask God to stay with him and help him to overcame this pain.

In the end of the first stanza he uses a metaphor to underline this concept: he asks God to give him wings to fly like a lark and sing this day of victory. The images that Herbert uses are concrete, visual, auditory and dynamic and they suggest emotions like serenity, freedom, joy and hope. It reveals something about the poet's attitude to God; he feels sad, and he feels the sin very near to him. He knows that he has lost the Grace of God but he hopes that one day he will conquer it again. The theme of the wings is recurrent in all the poem, in fact the layout of each stanza represents the wings of an angel, of the Easter angel.

Herbert uses these wings to rise himself spiritually in order to reduce the suffering that the sense of sin provokes in him and to join with God . The diagram of the structure creates the effect of a bird descending in flight and then rising up in the sky.

It may symbolize the spiritual tension towards God in man’s soul.
In the central lines of the two stanzas we can find the expressions “most poor” and “most thin” that can be considered a conclusion and “with thee” that can be considered a new beginning because the poet, after touching the bottom because of his sins, is ready to start a new life in order to expiate his sins. In this poem is present the religious feeling of the poet.

Both Herbert and Donne deal with religious themes and spiritual experiences. Herbert’s way of addressing God is devotional and shows a serene belief in the possibility of redemption. Donne’s attitude reflects his spiritual anxiety; he looks to God for an assurance of love, but haunted by the recollection of his sins, he seems unable to persuade himself either that he deserves or that he can expect divine forgiveness.

A characteristic of the English poetry since the Elizabethan age is the presence of emblem allied to the poems. Each emblem consists of three parts:

The motto or sententia, usually of a single line, a picture, representing the idea of the motto and a poem that brings out the relationship between the twos. In this emblem the motto is the line written in Latin around the picture, the image represents four winds personified which blow in a volcano and increase the fire, while the two lines above the image are the poem.
Language Analysis


Talking about the metrical and linguistic form, Herbert shows his originality and also his debt to the tradiction of emblems by trying to harmonize form with content and feelings, for example recalling the themes and the title of the poem in its layout. He uses sound devices to obtain particular effects and to better explain the meaning of the poem.

The poem that we have analyzed is formed by two stanzas of ten lines each. The lines are of various length, symmetrical and likely to be read vertically and horizzontally. Herbert uses rhyme, alliteration and run-on lines to obtain armony in the text and musical effect. We can find alliteration in the third line ( more and more ), in the tenth (then shall the fall further the flight…) and in the twelfth lines ( and still with sickness and shame).

Run-on lines are present in the 7th and the 8th lines (…rise / as larks…) and in the 14 th and the 15 th (…I became / most thin.).

The rhyme scheme is:

A B A B A C D C E C
F G F G F H I H I H
In this poem a metaphor is also present in the first stanza ( from line 7 to line 10),when the poet compares himself to a lark



وموفقه بإذن الله .. لا تنسيني من دعائك..
ولا تخافي رتبي موضوعك من البدايه بمقدمه اللي كتبتها الاخت قبل فهي جيده .. ومثال وهو قصيدة
Wings
ومن ثم تحليلها ..حتى rhyme scheme موجود
والتشبيه اللي بأول ستانزا موجود

طبعا في قصائد افضل لكن لغتها شوي صعبه والافكار اللي فيها اعمق وبالتالي تحليلها مو سهل ويدخلك بمتاهات دينيه وانا ما ادري عن طبيعة دكتورتك فخليكي في السليم وخدي شي واضح

ماقصروا البنات

الله يعطيكم الف عاااافيه ومشكوووورين ما قصرتوااااا