حبيباتي واخواتي بنات حواء :27: ..الاختبارات عالابواب..اكيد الكل بحيرة وتحاول تجمع اوراق وملخصات وكذا..انا حاسة فيكم لاني مريت بالموقف لمن كنت ادرس..ولذلك خطر لي نعمل هالملف ونجمع فيه اي روابط لاي موقع او صفحه فيها شي مفيد
عن روايه او مسرحيه تدرسونها..طبعا انا ببدأ وابغاكم تساعدوني لان المناطق تختلف وتختلف معها المناهج..عالاقل نزلوا اسم الروايه او المسرحيه علشان ندور سوا..بنـــــــــــــــــــــــــــــــــــــــــــــــات اللي تقرا وماتنزل رد بزعل منها خلونا يد وحده يله..اي وحده تنزل رابط يشترط تقول عن ايش علشان اللي يتصفحون يستفيدون
اوكي؟!
:D السكوت علامة الرضا هههه
بسم الله الرحمن الرحيم وبه نستعين ابدا انا..
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روايهPride and Prejudice
theme of marriage essay
http://www.ez-essays.com/free/162.html
view over how characters came out of fog to reality in the end
http://www.ez-essays.com/free/163.html
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روايه Huckleberry finn
discussion of the flaws in the novel
http://www.ez-essays.com/free/173.html
the real huck finn influence on mark twain
http://www.ez-essays.com/free/174.html
social behavior in novel
http://www.ez-essays.com/free/109.html
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مسرحيه the merchant of venice
prejudice in the play
http://www.ez-essays.com/free/190.html
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انوارالعمر @anoaralaamr
محررة ماسية
يلزم عليك تسجيل الدخول أولًا لكتابة تعليق.
انقيزيه
•
لو سمحتي انوار العمر ممكن طلب
انا ادرس marchant of venice
وأبغى ملخص بالانقليزي عن مشهد المحاكمه اللي هو الفصل الاخير أظن
أبغى مشهد المحاكمه مخلص تلخيص وافي وسهل
انا ادرس marchant of venice
وأبغى ملخص بالانقليزي عن مشهد المحاكمه اللي هو الفصل الاخير أظن
أبغى مشهد المحاكمه مخلص تلخيص وافي وسهل
اتفضلي حبيبتي:-
مشهد المحاكمه تلخيص ونقد على هيئه مقالessay
The trial scene is the longest in the play and stands as one of the most dramatic scenes in all of Shakespeare. A number of critics have raised questions about the accuracy and fairness of the courtroom proceedings: the presiding duke is far from impartial; Portia appears as an unbiased legal authority, when in fact she is married to the defendant’s best friend; and she appears in disguise, under a false name. These points would seem to stack the deck against Shylock, but if the trial is not just, then the play is not just, and it ceases to be a comedy. Thus, while Portia bends the rules of the court, her decision is nonetheless legally accurate. More important for the cause of justice, the original bond was made under false pretenses—Shylock lied when he told Antonio that he would never collect the pound of flesh. Therefore, Portia’s actions restore justice instead of pervert it.
The portion of the scene that passes before Portia’s entrance shows a triumphant and merciless Shylock. When asked to explain his reasons for wanting Antonio’s flesh, he says, “I am not bound to please thee with my answers” (IV.i.64). The only answer that the court gets, ultimately, is that Shylock merely emulates Christian behavior. Just as some Christians hate cats, pigs, and rats, Shylock hates Antonio. Just as some Christians own slaves, Shylock owns a pound of Antonio’s flesh. Shylock has the law on his side, and his chief emotion seems to be outrage that Christian Venice would deny him what is rightfully his. Shylock is not so much attacking the Venetian worldview as demanding that he be allowed to share in it. His speech about slavery is emphatically not an antislavery diatribe: he is in favor owning people, as long as he can own Antonio. In spite of itself, Venetian society is made an accomplice to Shylock’s murderous demands, and while this complicity certainly does not exonerate Shylock, it has the almost equally desirable effect of bringing everyone else down with him. Shylock’s intention is not to condemn the institution of slavery, and certainly not to urge its eradication—it is to express that his urges simply mirror those already found among wealthy Venetians, and to demand that his desires be greeted with the same respect.
The trial is not modeled on the English legal system. The duke presides and sentences, but a legal expert—in this case, Portia—renders the actual decision. This absolute power is appropriate for her character because she alone has the strength to wield it. None of the men seem a match for Shylock: Graziano shouts and curses with anti-Semitic energy, Bassanio pleads uselessly, and Antonio seems resigned to his fate. Indeed, Antonio seems almost eager for his execution, saying, “I am a tainted wether of the flock, / Meetest for death” (IV.i.113–114). Antonio has been melancholy from the play’s beginning, and now he has found a cause to suit his unhappiness. He may be the focus of Shylock’s hate, but he is less an antagonist than a victim. It is left to Portia to put a stop to the moneylender and to restore the comedy—something in short supply in Shylock’s courtroom—to the play.
الله يوفقك اختي..وادعيلي معاك
مشهد المحاكمه تلخيص ونقد على هيئه مقالessay
The trial scene is the longest in the play and stands as one of the most dramatic scenes in all of Shakespeare. A number of critics have raised questions about the accuracy and fairness of the courtroom proceedings: the presiding duke is far from impartial; Portia appears as an unbiased legal authority, when in fact she is married to the defendant’s best friend; and she appears in disguise, under a false name. These points would seem to stack the deck against Shylock, but if the trial is not just, then the play is not just, and it ceases to be a comedy. Thus, while Portia bends the rules of the court, her decision is nonetheless legally accurate. More important for the cause of justice, the original bond was made under false pretenses—Shylock lied when he told Antonio that he would never collect the pound of flesh. Therefore, Portia’s actions restore justice instead of pervert it.
The portion of the scene that passes before Portia’s entrance shows a triumphant and merciless Shylock. When asked to explain his reasons for wanting Antonio’s flesh, he says, “I am not bound to please thee with my answers” (IV.i.64). The only answer that the court gets, ultimately, is that Shylock merely emulates Christian behavior. Just as some Christians hate cats, pigs, and rats, Shylock hates Antonio. Just as some Christians own slaves, Shylock owns a pound of Antonio’s flesh. Shylock has the law on his side, and his chief emotion seems to be outrage that Christian Venice would deny him what is rightfully his. Shylock is not so much attacking the Venetian worldview as demanding that he be allowed to share in it. His speech about slavery is emphatically not an antislavery diatribe: he is in favor owning people, as long as he can own Antonio. In spite of itself, Venetian society is made an accomplice to Shylock’s murderous demands, and while this complicity certainly does not exonerate Shylock, it has the almost equally desirable effect of bringing everyone else down with him. Shylock’s intention is not to condemn the institution of slavery, and certainly not to urge its eradication—it is to express that his urges simply mirror those already found among wealthy Venetians, and to demand that his desires be greeted with the same respect.
The trial is not modeled on the English legal system. The duke presides and sentences, but a legal expert—in this case, Portia—renders the actual decision. This absolute power is appropriate for her character because she alone has the strength to wield it. None of the men seem a match for Shylock: Graziano shouts and curses with anti-Semitic energy, Bassanio pleads uselessly, and Antonio seems resigned to his fate. Indeed, Antonio seems almost eager for his execution, saying, “I am a tainted wether of the flock, / Meetest for death” (IV.i.113–114). Antonio has been melancholy from the play’s beginning, and now he has found a cause to suit his unhappiness. He may be the focus of Shylock’s hate, but he is less an antagonist than a victim. It is left to Portia to put a stop to the moneylender and to restore the comedy—something in short supply in Shylock’s courtroom—to the play.
الله يوفقك اختي..وادعيلي معاك
مسرحيه تاجرالبندقية the merchant of venice :)
essay about prejudice in the play
http://www.ez-essays.com/free/190.html
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رواية كبرياءوهوىPride and prejudice :27:
ملف كامل من الالف الى الياء((منقووووول))
تفضلوا اللنك:
http://www.pemberley.com/janeinfo/pptopic2.html
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essay about prejudice in the play
http://www.ez-essays.com/free/190.html
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رواية كبرياءوهوىPride and prejudice :27:
ملف كامل من الالف الى الياء((منقووووول))
تفضلوا اللنك:
http://www.pemberley.com/janeinfo/pptopic2.html
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مسرحيات شيكسبير كلها موجوده على هذا الرابط :-
http://shakespeare.about.com/od/shakespearesplays
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مسرحية Death of a salesman
plot&chara essay
http://www.ez-essays.com/free/1087.html
general study view of play
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use of symbols
http://www.ez-essays.com/free/1089.html
the ending of play essay-free discussion
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http://shakespeare.about.com/od/shakespearesplays
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مسرحية Death of a salesman
plot&chara essay
http://www.ez-essays.com/free/1087.html
general study view of play
http://www.ez-essays.com/free/1088.html
use of symbols
http://www.ez-essays.com/free/1089.html
the ending of play essay-free discussion
http://www.ez-essays.com/free/1092.html
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الصفحة الأخيرة
chara discussion
http://www.ez-essays.com/free/115.html
essay on theme
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essay on plot and sequence of events
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